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At the UB Art Galleries

 

UB ANDERSON GALLERY

Upcoming:

UB Anderson Gallery is closed for the summer for renovations.

 

UB ART GALLERY

Upcoming:

NLXL a design studio for visual communication and interaction

NLXL a design studio for visual communication and interaction
July 1 through July 25, 2008
Opening reception
Thursday, July 17, 2008
5:30 to midnight

NLXL experiments with the possibilities of combining visual and interactive elements within single design solutions. Content, form and technique are carefully considered in each and every solution. NLXL designs logos, corporate and visual identities, web sites and web-identities, event styles, forms, posters, animations, books, content management systems, digital presentations and other digital applications. The exhibition will feature graphic posters and an interactive, multimedia installation.

 

 

 

Shadi Nazarian: Introversions
July 1 through July 25, 2008

Shadi Nazarian, Introversions construction drawing in plan: Jon Spielman of factoryny, 2008

Nazarian frames and choreographs an architectural experience as audiences are drawn toward a responsive minimalist structure, seemingly hovering in midair. Working in the fertile intersections of art, architecture, and emergent technology, she employs switchable Liquid crystal layered privacy glass to explore cognition and think about the ways in which we navigate the environment we live in. In the commercial sector, privacy glass has been used primarily for partitions, display cases, bank screens, and as enclosures for conference rooms, and provocatively, in dressing rooms and bathrooms. Presented in an academic and artistic context, Introversions seeks to discover how new materials such as privacy glass fundamentally alter spatial relationships and human perception. Nazarian isolates and enhances disorienting moments inherent to urban conditions that are triggered by reflections and other strange sights seen out of the corner of the eye by combining minimalist sculpture and architecture to generate uncanny optical effects.

Nazarian moved to New York City in 1989 to join I.M. Pei & Partners as an architectural designer, and then to Ithaca, NY to teach at Cornell University (1991-92, and 1999-2002). She has been teaching at the State University of New York at Buffalo in the School of Architecture and Urban Planning since 1994.

The production of Introversions is sponsored in part, by a generous grant from the New York State Council on the Arts Individual Artists Program (Film, Media and New Technology Production Category), New York Foundation for the Arts Special Opportunity Stipends, as well as the support of CBO Glass, KNEMA LLC, Polytronix Inc. and SMG HARSON. Fabrication by factoryny.

Exhibitions Archive-UB Art Gallery, Center for the Arts

Arnold Mesches: FBI Files
First Floor Gallery, June 28- September 13, 2004

Arnold Mesches, who grew up in Buffalo, creates work informed by world history and his own experiences during the Depression, World War II, the Cold War and the McCarthy “Red Scare” era. His paintings, first exhibited in Los Angeles in the 1940s, are included in a large number of major museum collections worldwide, and have been featured in 102 solo exhibitions, including Echoes: Survey of a Century at The Castellani Art Museum of Niagara University in 2001. His oeuvre explores contemporary philosophical and social debates through collage, drawings and expressionistic paintings.

In the 1950s, Mesches painted a series of works responding to the trial and execution of Julius and Ethel Rosenberg, who were accused of communist espionage. When this series of paintings was stolen from the artist’s studio in 1956, Mesches suspected the FBI. In 2000, through the Freedom of Information Act, Mesches discovered and gained access to 760 pages of FBI files covering intelligence about his activities in protests, personal life and work between 1945 and 1972. Through these files, Mesches became aware of the hundreds of FBI officials who were in his life for 22 years: lovers, friends, models, truck drivers, fellow artists, teachers. The artist still has no information about the 200 paintings and drawings that vanished from his studio or the dozens of pages missing from his FBI files from the six months surrounding the date of the theft.

The striking visual character of the typed FBI files, in which large portions of text were obscured by black marker, inspired Mesches to combine the actual pages from the files with newspaper clippings, photographs, paintings, drawings, and hand-written texts, creating vividly colored “contemporary illuminated manuscripts” that depict current events of the time. His works are collages of color, ideas and historical references.

Arnold Mesches: FBI Files was organized by P.S.1 Contemporary Art Center Associate Curator Daniel Marzona.



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