Annette Cravens, MSW ’68, of Buffalo, New York, donated her multimillion-dollar collection of archaeological and ethnographic objects—dating as far back as 4,500 BC- to the University at Buffalo College of Arts and Sciences.

Jillian Mayer’s practice continually explores how technology affects our lives, bodies and identities through investigating the blurred lines between our physical and online worlds in regards to dependency and value.

Caterina Borelli, Johanna Diehl, Günther Förg, Eiko Grimberg, Thomas Ruff, Hans-Christian Schink, and Heidi Specker represent themes varying in style between photography and interiors to synthetic architectural documentation and planned urban scenes.

Cages is the result of an architectural studio at the UB Architecture Dept. exploring qualities of material boundaries and enclosing conditions that relate structure and skin, establishing connections between the natural and the artificial in the material experience.

Annette Cravens, MSW ’68, of Buffalo, New York, donated her multimillion-dollar collection of archaeological and ethnographic objects—dating as far back as 4,500 BC- to the University at Buffalo College of Arts and Sciences.

Jillian Mayer’s practice continually explores how technology affects our lives, bodies and identities through investigating the blurred lines between our physical and online worlds in regards to dependency and value.

Caterina Borelli, Johanna Diehl, Günther Förg, Eiko Grimberg, Thomas Ruff, Hans-Christian Schink, and Heidi Specker represent themes varying in style between photography and interiors to synthetic architectural documentation and planned urban scenes.

Cages is the result of an architectural studio at the UB Architecture Dept. exploring qualities of material boundaries and enclosing conditions that relate structure and skin, establishing connections between the natural and the artificial in the material experience.