The Cravens World has been curated into a world-class permanent installation, which presents an innovative, inspired design for “open storage,” a space or room in a museum providing visible access to an entire collection.
Throughout his six-decade career, Tony Conrad (American, 1940–2016) forged his own path through numerous artistic movements, from Fluxus to the Pictures Generation and beyond.
Search for the Hashtag #noplanforthefuture and images of donuts spewing jelly, melted ice cream, and splattered pies will fill your feed. These small tragedies are part of virocode’s ongoing resistance to collective memory loss…
During the Spring 2018 semester, this on-going project extended beyond UB by inviting two classes from Highgate Heights Elementary to participate in the process of understanding and interpreting Cravens Collection objects.
Claire Falkenstein. Turnabout, ca. 1964. Copper. University at Buffalo Art Galleries: Gift of the David K. Anderson Family, 2000• Photo by IMG_INK
BRACHA: Pietà – Eurydice – Medusa is the first comprehensive solo museum exhibition of Bracha’s work in the United States, featuring a range of works from over three decades.
The Cravens World has been curated into a world-class permanent installation, which presents an innovative, inspired design for “open storage,” a space or room in a museum providing visible access to an entire collection.
Throughout his six-decade career, Tony Conrad (American, 1940–2016) forged his own path through numerous artistic movements, from Fluxus to the Pictures Generation and beyond.
Search for the Hashtag #noplanforthefuture and images of donuts spewing jelly, melted ice cream, and splattered pies will fill your feed. These small tragedies are part of virocode’s ongoing resistance to collective memory loss…
During the Spring 2018 semester, this on-going project extended beyond UB by inviting two classes from Highgate Heights Elementary to participate in the process of understanding and interpreting Cravens Collection objects.
Claire Falkenstein. Turnabout, ca. 1964. Copper. University at Buffalo Art Galleries: Gift of the David K. Anderson Family, 2000• Photo by IMG_INK
BRACHA: Pietà – Eurydice – Medusa is the first comprehensive solo museum exhibition of Bracha’s work in the United States, featuring a range of works from over three decades.
